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ADAPT: Playwright’s Screenwriting Programme

ADAPT is a development programme for writers looking to adapt their work for the screen.

Following on from the success of the 2024 ADAPT programme we launched a new six-month development initiative specifically designed to support playwrights who want to develop their screenwriting skills.

Playwrights based in Newcastle, North Tyneside or Northumberland were invited to submit an idea for an original television programme and are supported to write their first spec script. The idea submitted could be an adaptation of their own pre-existing play or a completely new idea. The programme was aimed at writers who are new to screenwriting but have a track record in playwriting.   

Two writers are now being supported with 1-2-1 script development support from the NWN Screen Development Producer and professional script editors. They also have the opportunity to take part in workshops on the fundamentals of screenwriting, story and adaptation, have their work read through with actors at an industry feedback session and also be supported towards next steps in progressing their screenwriting career. 

Writers receive a £1,500 bursary to support their time writing as well as receiving free training and script development support.  

ADAPT 2025 Writers

  • Lindsay Rodden

    “The ADAPT programme couldn’t have come at a better time. I’ve always wanted to write for screen, and it’s got me off the blocks and given me the confidence and skills to actually do it. For me as a writer, it’s all about finding subversive stories that aren’t often heard but should be, and celebrating them. To transfer these ambitions to the screen is such an exciting undertaking, and it feels possible with the backing of New Writing North.”
    Lindsay Rodden was born in Scotland and grew up on Merseyside and in County Donegal, Ireland where her family is from. She lives in North Shields.
    Lindsay’s stage plays include HERE BE DRAGONS (Unfolding Theatre, currently on tour); musical JENNIE LEE, about the trailblazing eponymous MP, which toured nationally last year to critical acclaim; THE ISLAND OF THE SUN (an adaptation of Homer’s Odyssey for the National Theatre and Sunderland Culture); RED SKY AT NIGHT (a play with songs for Mikron Theatre, national tour); HERE, about sanctuary-seeking and storytelling for Northern Stage and Curious Monkey (finalist for Performance of the Year and Writer of the Year at the NE Culture Awards); and her adaptation of Brian Patten’s THE STORY GIANT for the Liverpool Everyman.
    Her most recent play THE MARIANS is in development, having received staged readings at Northern Stage and The Royal Court, and was longlisted for The Bruntwood Prize.
    Lindsay was awarded Writer-in-Residence at Live Theatre in Newcastle, the Shelagh Stephenson residency, and was a member of The Royal Court’s prestigious National Writers’ Group. She also works as a dramaturg across the country.
  • Hannah Walker

    “I have no experience writing for TV, so this opportunity is invaluable! I’ve already learnt so much, and I’m really excited to see what I can create. Which, without the support from ADAPT, wouldn’t exist!”

    Hannah Walker is an award-winning theatre maker and comedy performer who creates autobiographical shows that open up honest conversations about overlooked or stigmatised aspects of everyday life. Her work blends humour and social insight, often exploring themes like addiction, identity, and relationships.
    Her latest show Gamble (★★★★★ A Youngish Perspective) is about her experience being in a relationship with someone with a gambling addiction, developed with people in recovery, health professionals, and affected others. Previous work includes An Evening with Savvy B (★★★★ London Theatre), which looks at her relationship with alcohol and was shaped by workshops & pop-up performances in pubs and social clubs in the North East.
    Hannah is an Associate Artist with The Six Twenty and is currently learning British Sign Language. In the real world she enjoys playing with her offspring.

ADAPT 2024 (for novelists and playwrights)

  • Alex Oates

  • Conway McDermott

  • Khatijah Balu

  • Rebecca Glendenning-Laycock

  • Tamsin Rees

Alex Oates

Alex Oates is a Northumberland based writer. Alex’s triple offie-nominated play Silk Road was a critical success at Edinburgh Fringe and Vault Festival before transferring for a four-week run in London’s West End -Trafalgar Studios. He’s had his work performed with Silent Uproar at Hull Truck, New Diorama, Live Theatre Newcastle, Bolton Octagon and Southwark Playhouse. He was nominated for Most Promising Playwright at The Off West End Awards for his play All in a Row. His most recent play The Filleting App has been selected out of over 2000 plays by the RSC to be part of a new folio of plays representing Britain today. Alex is adapting The Filleting App for TV.

Conway McDermot

Conway McDermott is an an award winning trans writer for stage and screen with a passion for juicy, accessible stories which ask big questions. They’re currently writing for BBC’s EastEnders, are Playwright in Residence at Box of Tricks Theatre Company, and are co-writer on Billie the Kid, a new British musical recently staged at the Vaudeville theatre. Conway and has had work commissioned by The Liverpool Everyman & Playhouse, The Theatre Royal Stratford East, and the Liverpool Light Night Festival. In 2019, they were commissioned by Popelei Theatre Company for their play The Line, which they are adapting for film.

Khatijah Balu

Khatijah Balu is an author and works in disability and employment. She lives in Blackburn, Lancashire, is an IBD warrior, and holds a Master’s in Creative Writing with English Literary Studies from Lancaster University. Her creative work is a homage to murder mystery and teenagehood, written through the lens of a South-Asian Muslim. In 2022, she won a Northern Writers’ Award for her novel in progress Lewis Didn’t Fall. Khatijah is adapting Lewis Didn’t Fall for TV.

Rebecca Glendenning-Laycock

Rebecca (she/they) is a writer, performer, and theatre maker based in Newcastle Upon Tyne. Their work is funny, and bold with a tender middle. Her debut play, We Are The Best was commissioned by Live Theatre in 2022 and she has previously had short pieces commissioned and/or staged for Freedom Studios, Workie Ticket, Curious?, Live Theatre, and Alphabetti Theatre. She was also a founding member of Queer Theatre Company Bonnie and The Bonnettes, shows included Drag Me to Love, And She, and Bonnie and Fanny’s Christmas Spectacular. Rebecca is adapting their play What’s Wrong with Betty for TV.

Tamsin Rees

Tamsin Rees (they/them) is a writer from and based in the North East of England. They are a published playwright with Bloomsbury Methuen Drama for their play Cheer Up Slug at Live Theatre which received a 4 star review from The Guardian. Tamsin was a member of the Orange Tree Writer’s Collective 21/22, and a member of the first Royal Court Writer’s Group North. They were part of the BBC North East Voices 2021, shortlisted for the top 1% for the BBC Script Room Drama 2021, and longlisted for the BBC Alfred Bradley Award 2021. Tamsin is adapting their play Stupid Girls for TV.

ADAPT Workshops 2024

In early 2024, Beth McCann ran a series of four development workshops. These practical workshops covered the nuts and bolts of adapting your work for the screen. Beth is a lecturer in Screenwriting and Script Consultant. She specialises in working with new and emerging writers. In 2008, she established Scriptwriting North, with a vision to create and support a community of screenwriters.

“Participating in the ADAPT programme has given me the sort of introduction to screenwriting which I’ve been trying to find for a very long time.”

ADAPT open-access webinars 2024

In early 2024, we ran a series of online talks exploring how writers can develop their skills in adaptation for the screen. These sessions were open to writers interested in exploring how to adapt their own play, novel or short story as well as screenwriters wishing to explore the process of adapting other peoples’ work.